Frieze Week Guide to What’s Actually Worth Your Time

Running from 14 to 18 October, Frieze Week 2026 brings a packed programme of exhibitions, gallery openings, special events and creative collaborations across London. Here's our curated list of what to see inside the tents and far beyond them.

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Frieze Week Guide to What’s Actually Worth Your Time
Frieze London 2025. Photo: Linda Nylind. Courtesy: Frieze.

How to Use This Guide

Frieze Week is five days, two tents, and a city-wide ecosystem. 

 1. Inside the tents — the stands, sections, and artists worth your time.

 2. Frieze Masters — where the 18th century becomes meme-worthy.

 3. Beyond the park — the shows everyone will be talking about.

 4. The details — toilets, talks, and the things no one tells you about.

The stands everyone will screenshot

Myrlande Constant, Lasirène Diamant, 2025, beads and sequins on fabric, 60 x 68.5 in. Courtesy: © Myrlande Constant and Fort Gansevoort, New York.

Myrlande Constant (Fort Gansevoort, A10) — sequinned Haitian Vodou flags, first solo in Europe.

Ana Mendieta (Alison Jacques, A25) — the 1972 beard-gluing work.

Márcia Falcão (Fortes d’Aloia & Gabriel, A15) — new paintings, already biennial-tested.

Selma Selman (acb Gallery, S07) — in The Code Universe.

Dalton Paula (Lisson, D01) — Afro-Brazilian portraits.

The Code Universe

Shinro Ohtake, Retina/Yellow RAM 2, 2025. Acrylic, ink, printed matter, photograph, stamp and pulp paper on paper 100 × 71 cm Courtesy of the Artist, Take Ninagawa, Tokyo and greengrassi, London.

Curated by Carol Yinghua Lu (Inside-Out Art Museum, Beijing), this new section tracks how artists since the late 1970s respond to mass culture — from consumer goods to media imagery. Spanning Shanghai to New York, it considers the global legacy of pop and conceptual art in a post-digital age.

Artists: Selma Selman, Shinro Ohtake, Carolyn Lazard, Payne Zhu.

Artist-to-Artist

Caroline Monnet, Piece the Ground Back Together, 2026. Floor and roof underlayment, waterproofing and insulating membranes, tarpaulin, thread, 47 x 67 (Framed). Photo: Chantier Monnet. Courtesy of the Artist and Blouin Division.

Seven artists, nominated by seven peers. A chain of recognition, not a sales floor. Yinka Shonibare picks Unathi Mkonto. Otobong Nkanga picks Jota Mombaça. Jeffrey Gibson picks Caroline Monnet. Gala Porras-Kim picks Jorge González Santos. 

Go to the Toilets

Gray Wielebinski, Exhibition, 2023, Selfridges Art Block Commission. Courtesy of the artist. Photo: Andrew Meredith.

Gray Wielebinski turns the fair’s public toilets into an intimate olfactory experience. Scented urinal cakes and toilet-rim blocks, enclosed in sculptural cages, release a custom fragrance — pencil shavings, paint, dust and sweat. The smell of the studio, pushed into one of the fair’s most controlled spaces.

The best piece you’ll find without a map.

FRIEZE MASTERS

Anthony van Dyck (Antwerp 1599–London 1641), Portrait of a Nobleman, Traditionally Identified as Paolo Giordano Orsini, Duke of Bracciano, ca. 1627–1632, oil on canvas, 188.5 × 135 cm (74 × 53 1/4 in.)

There are over 1,200 Gillray prints, plus hundreds by Hogarth and Rowlandson. Expect sex, food, politics and gossip. After that, find Helene Schjerfbeck among the Nordic women painters. What to watch:

An Egyptian bronze of Ptah, once owned by William Randolph Hearst, believed to have inspired the Oscar statuette. 

Van Dyck’s Portrait of a Nobleman at Colnaghi. 

Anish Kapoor’s early ceramics at Galleria Continua. 

BEYOND THE PARK

Cindy Sherman, Untitled #704, 2026, Chromogenic color print, Ed. 1/6, 1 AP, 101.6 x 67.6 cm, 108.6 x 74.6 x 6.7 cm (framed) © 2026 Cindy Sherman / Artists Rights Society (ARS), NY Photo: Sarah Muehlbauer.

William Kentridge, Goodman Gallery: the world premiere of his new stop-motion film.

Cindy Sherman, Hauser & Wirth: the new Fabric Matrons series, partly made with fabric from the Chanel archive.

Nicola Turner, Annely Juda: 12 metres of wool and horsehair climbing a Georgian façade, right by Bond Street station.

Rebecca Warren, Maureen Paley: her first London show in 15 years.

Esteban Jefferson, Herald St: paintings about the British Museum, shown around the corner from it.

Issy Wood, National Portrait Gallery: 11 self-portraits, most never shown before.